Clay Stories

Clay Stories

Pebbles,

chamotte,

fine or coarse chamotte.

Clay for sculpture, clay for throwing.

Wild clay.

Reliable clays, unpredictable ones.

And then the colours: from white to black,

passing through every shade I can imagine — because, after all, almost everything already exists, or can be created.

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Clay is the new yoga

Clay is the new yoga

Clay has become the new yoga. It’s not surprising; in fact, it encompasses many Zen aspects. Working with clay requires being in harmony with the laws of nature and the cosmos. It means respecting the clay, handling it properly, and…

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Beauty is all around

Beauty is all around

Beauty is all around us, whispering in the most delicate details of nature. Even among the leaves of an artichoke, a world of elegance and harmony hides. Finding it is a practice, a predisposition, a way of seeing the world…

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White as snow: February

White as snow: February

In February, the world is tinged with white, like the snow that falls silently and envelops everything in a blanket of purity. It’s a time that evokes the essence of winter, a season of tranquility and reflection. In this scenario…

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Urban Potter

Urban Potter

What does “Urban Potter” mean? In a broad sense, it denotes a new generation of ceramicists living in big cities, embracing a creative craft that’s grounded in tangible work, much like that of traditional ceramists. It’s a trendy phenomenon that…

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Ancient ceramic technique: Form Is Sought

Ancient ceramic technique: Form Is Sought

Sometimes a form arrives before knowing how to make it.

It remains for a while in the mind, still uncertain, made of proportions, surfaces, light. Then the encounter with the material begins.

This is where the idea changes.

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MANUELA METRA

Manuela Metra is a contemporary visual artist and Wabi-Sabi ceramic artist, graduated from the San Luca Academy of Fine Arts. For more than twenty-five years, she has developed an artistic practice that explores the visceral power of matter through contemporary sculpture, Zen aesthetics, and transformative processes. Her work is shaped using natural stoneware, wild clay, and pigments prepared by hand.

She is the founder of Celadon – Wabi Sabi Academy, a space devoted to the study of ceramics, material experimentation, and the exploration of the relationship between earth, water, and form.